Anime, Shows

Sasaki and Miyano: A Cute New BL Anime

Anime Review:

Sasaki and Miyano Season 1

Rating: 7 out of 10 stars



  • Positive LGBTQ+ representation
  • Beautiful art style
  • Great animation
  • Cute romance


  • Somewhat repetitive
  • Clichés–the typical anime umbrella scene, for example
  • The shapes that floated around randomly were overused

Warning: Spoilers Ahead!

Review and Reflection

Before Yuri on Ice, I had never watched a single BL anime. What is BL anime? BL anime stands for Boy’s Love, an anime genre that depicts homosexual relationships between men. I enjoyed Yuri on Ice so much that I decided to try another BL, Sasaki and Miyano. Coming from a sheltered, conservative Christian background that I only abandoned last year, I was exposed to this category of anime in the past few months.

Yeah, I’m a newb to BL, and pretty much anything gay. But I still have something to say.

While Sasaki and Miyano is not as cute as Yuri on Ice, I still really enjoyed this romance. Miyano meets Sasaki when Sasaki defends another student from some bullies. They slowly get to know each other better, and Miyano begins to lend Sasaki BL manga. Sasaki loves it and asks for more.

Miyano is a fudanshi, which is a word meaning a fan of BL manga. He does not recognize that he is into guys, however, because the only crush he has had in the past was to a girl. He seems to be unfamiliar with the term bisexual. When Sasaki confesses his love to Miyano, Miyano asks for time to figure his own feelings out.

Miyano had thought Sasaki was just joking about liking him and teasing at first, until the serious confession. Sasaki had asked if Miyano had wanted to go out and bought him chocolates, but Miyano hadn’t realized the depth of his feelings until the confession.

Seeing Miyano struggle to understand himself is painful at times, but seems realistic.

When Miyano asks what Sasaki likes about him, Sasaki gets nervous and says he likes Miyano’s face. Wrong move, Sasaki. Miyano is extremely self-conscious about his face because he believes he looks feminine. On one hand, I couldn’t believe Sasaki could screw up that bad. On the other hand, that is totally the kind of awkward thing I would say. I’ve never been the most articulate while speaking. The written word is my friend, but sadly, the spoken word is not.

Another note: I learned a bunch of random words from this such as fudanshi and what it means that someone is cat-tongued. Apparently cat-tongued means when a person can’t drink or eat foods that are hot, or at least really don’t like to. I’m the opposite–I can barely stand drinking or eating cold things. What does that make me?

Two more things.

First, I watched this halfway dubbed, and then watched the second half subbed. I know, I’m a monster. No doubt I have grievously offended both sides of the subs vs. dubs debate as well as the anime gods.

Honestly, I prefer dubs because it is easier to take notes when my eyes don’t have to be glued to the TV screen. Reading subtitles means I can’t look down for even half a second most of the time without missing a piece of dialogue. I try to get around that by using my laptop and taking notes right beside the show. That’s how I am watching the subbed Squid Girl. But that’s kind of annoying so I still prefer dubs.

So why did I finish the season off subbed? Well, I was impatient. With one dubbed episode of Sasaki and Miyano coming out every week, I just couldn’t take it anymore. I had to see the rest, even if it was subbed. If this one ended anything like Adachi and Shimamura, I would have probably screamed into a pillow in frustration.

But no, it was finally a LGBTQ+ romance anime with heart and a conclusive ending that wasn’t a half-assed attempt at good representation.

Anyway, back to the subbed and dubbed discussion. Because I watched both, I got to hear all of the voice actors. The voice actor for Sasaki in the dubbed version was the greatest thing I have ever heard. He had the most distinctive voice and it was kind of hilarious. It cracked and wavered unsteadily between high and low pitches. But the subbed version of Sasaki was easier to take seriously. So honestly, I liked both, but it was way more fun to mimic the English Sasaki. Perhaps a little mean, but it was done out of good humor and a love of his voice.

Second, the random pastel shapes that floated around half the time got kind of annoying. I get it, they have mushy-gushy feelings for each other. I could figure that out without the love kaleidoscope. So while the art style and animation were impressive, the details kind of ruined the moment sometimes for me.

That being said, I would wholeheartedly recommend this anime. Sure, it’s a 7 out of 10 due to its clear flaws, but it was entertaining and wholesome, so give it a try! I would recommend it for people who would enjoy an anime with a large helping of romance and a sprinkle of humor.

If you like my content, subscribe to my newsletter!

Anime, Shows

RWBY Volume 6 Gives the Real Story of Salem

Anime Review:

RWBY Volume 6

Rating: 10 out of 10 stars



  • Memorable heroes
  • Effective villains
  • Focus on pivotal character backstories
  • Unique weapons and apparel
  • Phenomenal fight scenes
  • Interesting setting
  • Original music
  • Attractive intro
  • Balance of comedic and dark moments
  • Groundbreaking American anime
  • Beautiful art style and animation


  • No specific cons

Warning: Spoilers below!


Trigger Warning: Suicide

There are so many things I love about this season. The new characters and Grimm, the epic fight scenes, the beautiful intro, the depth of the character backstories….

Let’s start with my two favorite new characters…

Maria Calavera is a wonderful addition to Team RWBY. Her eyes, once grey like Ruby’s, were destroyed by the villain Tock. She has mechanical goggles that allow her to see, even though they need tuning from time to time and they cause her to be colorblind. As the Grimm Reaper, she was highly skilled and even inspired Qrow to make a weapon modeled off of hers. I love the part where she tries to get away with using a military airship by using jargon. She pulls off the jargon, but is given away because the military does not employ the elderly.


Even though Tock is a side character shown only briefly in a flashback, I found her character design to be fascinating, and her semblance and focus on the passage of time interesting. She was inspired by the crocodile from Peter Pan and carries a watch with her. Tock’s semblance allows her to be invulnerable for 60 seconds, although it does sap almost all of her aura. She tends to play with those she intends to kill. Formidable, snarky, and sadistic, she is a character to be appreciated. Before her death, she was trusted enough by Salem to be a part of her inner circle.

The Sphinx is one new type of Grimm the heroes face pretty early on in the volume. The train fight is phenomenal. You can see how the characters have grown as fighters.

The Apathy are by far the creepiest Grimm I have ever seen. They slowly sap one’s will and volition to live. They killed a whole town because the people slowly lost the will to move and died in their beds one morning. Their cry is frightening, and they don’t even have to be fast because their prey will move slower and slower as its energy is sapped.

The battle of the team vs. the Colossus, which is manned by Caroline Cordovin, is utterly fabulous. I love that when the good guys finally get the upper hand, the city is threatened by a Leviathan. And they just took down the only thing capable of stopping the Leviathan. The guilt and determination are superb as enemies turn to reluctant allies. Ruby using Jinn to stop time was super smart and gave her what was necessary to succeed. Then Cordovin drilling into that Leviathan Gurren Lagann style…nice!

The intro is great, creating so much foreshadowing and tension. You can tell that it is shaping up to be a great volume just from watching the intro. I know some people ship Ruby and Weiss so I bet that final scene with Weiss helping Ruby up will make them happy–it looks very sweet.

Also, can I just say, the animation of this volume was much better? It really was. People were even freaking out about the detail on the trees near the beginning of the volume. A big improvement.

The backstory for Salem and Ozpin is phenomenal. Their love story seemed so sincere…until love turned to hatred. Salem went to terrible lengths to try to bring Ozpin back to life. She even turned the humans of the world against their gods, and every human was obliterated except for her. She became immortal until she could appreciate the value of life and death…a terrible sentence for the crime of turning against the gods and trying to bring back the dead. Salem tried to commit suicide at least twice, once by the sword and again by casting herself into a pool of darkness.

I found it interesting that the brother gods got along decently well despite their vastly different outlooks, one being creation and one destruction. They respected each other, and were not enemies even though their goals did not altogether match.

Qrow’s struggle with alcoholism and his loss of authority over the younger characters were pivotal in this volume. The younger characters decide to do things their way and Qrow’s permission is no longer sought or needed. This changes the power dynamics in the group. Luckily, things turn out pretty well after the the young’uns take charge.

I loved this volume and would recommend it to anyone who enjoys action and anime. Did you watch this volume? Let me know what you think in the comments.


If you like my content, subscribe to my newsletter!


SRPOP Season 3 Reveals the History of Etheria, She-Ra, and Hordak

Show Review:

She-Ra and the Princesses of Power Season 3

Rating: 8.7 out of 10 stars



  • Great for children and adults
  • Fun plot with high stakes
  • Well-made characters
  • Representation of different body types and skin colors
  • LGBTQ+ representation
  • Some Catra and Scorpia bonding moments
  • Backstory for Hordak


  • Overly childish intro
  • Poor art style choices

Warning: Spoilers Ahead!


This season was only six episodes long, so this will be a short review. Nonetheless, it was a really good season and a wonderful experience.

This season begins exactly where we left off with the previous season. Shadowweaver is standing over Adora’s bed, but collapses after Adora draws her sword. Since Bright Moon has no dungeons, Shadowweaver is imprisoned in a spare room that had the cushions removed but otherwise is super comfortable.

I am not sure how I feel about Shadowweaver switching sides. Sure, it’s good for the heroes. But Shadowweaver is abusive toward Adora and Catra and makes a problematic hero. I do think they dealt with it pretty well though, establishing that she has selfish motives even when on the side of good.

It is just like Adora to be concerned about Shadowweaver, and for Adora to heal her. Adora obviously has an unhealthy attachment to Shadowweaver, but remains compassionate despite Shadowweaver’s transgressions.

Catra’s punishment is harsh considering she has increased the productivity of the Horde by 400% and has retrieved plenty of First One’s relics. Entrapta tries to stand up for her, which says a lot about her character. This season certainly strengthens Catra’s character arc as she becomes more and more unhinged.

I love that Catra and Scorpia become closer as friends, at least for the first part of the season when Catra is sent on an apparent suicide mission to the Crimson Waste. Also, when Catra is introduced to a party for the first time, it hearkens back to when this happened for Adora as well. It’s a sweet moment. For Catra’s sake I wish she had left the Horde and stayed in the Crimson Waste, at least for a time. The experience was really good for her and Scorpia.

The Hordak and Entrapta bonding moments were touching. Entrapta emphasizes that she enjoys being Hordak’s friend and Hordak points out that no one should underestimate Entrapta. As they build the portal together, Entrapta cools Hordak’s temper and accepts him as he is, flaws and all. She is a person who appreciates imperfections. It honestly made me like Entrapta more, even if she does frustrate me at times.

Getting to learn more about the history of Hordak and how he is a defective clone of Horde Prime was interesting and made him seem a little more personable, and less like a one-dimensional big bad.

Knowing that Etheria was separated from the rest of the universe and that a portal could compromise the safety of the planet really helped build the narrative. Revealing Adora is a First One and that she came through the portal as a baby is a nice touch.

Angella’s sacrifice and loss was a poignant part of the season, and showed how high the stakes had been. I never loved her as a character, but her being brave and spontaneous for once was a sight to see. Glimmer is young to be the next queen of Bright Moon, but her inheritance of the throne will no doubt change the dynamic of the three best friends: Adora, Glimmer, and Bow.

Catra snapping and sending Entrapta to Beast Island was incredibly sad, especially when she told Hordak that Entrapta had betrayed him. It was painful and yet fitting.

Like in the previous seasons, there is a lot of representation of different body types and skin colors. That is refreshing honestly, especially when you compare it to the original She-Ra franchise.

The intro is the same as the previous seasons. I know a lot of people really like the intro, but I don’t. It’s too childish compared to the rest of the show, and I don’t care what people say, it is not catchy. Not to say it’s horrible, but it’s not that great.

Also, the art style makes them all look young even though Adora, for example, is 17. They look like a group of 12-year-olds. It could have been better.

In conclusion, this season was even better than the first two and I would recommend it for all ages except the very youngest children.

If you like my content, subscribe to my newsletter!

Anime, Shows

A Flawed Character Worth Rooting For: Wandering Witch Season 1

Anime Review:

Wandering Witch: The Journey of Elaina Season 1

Rating: 7.5 out of 10 stars



  • Entertaining, flawed main character
  • Good storytelling
  • Some strong, impactful episodes
  • Beautiful animation and art style


  • A little hard to get into at first
  • The episodic feel made it seem a bit plotless and like it was going nowhere


  • Almost all of the character development focused on one character

Warning: Spoilers Ahead!


This anime is about a young traveling witch who visits various countries, cities, and towns.

When I started watching this anime, one of my first impressions was that I didn’t like the main character. I simply hadn’t considered her value to the show as someone with obvious flaws yet capable of change and development. It was a simplistic way of approaching the anime and I wish I had thought more carefully about it, because that attitude left me dissatisfied with the first few episodes.

As a writer, I should have realized the reason that Elaina grated on my nerves was not because she was a bad character, but because she was well-written and had a set of flaws composed of ones that annoyed me more than most other flaws would. It’s okay to have a character that is not likable as the main character, as long as she is well-written and has strong narrative purpose. And it took a reminder from my sister and a friend to help me see it that way.

The main reason Elaina bugged me at first was because she is so full of herself, especially as an adult. At the beginning and/or the end of most episodes, she describes herself as beautiful or amazing. For example, at one point she says she is so brilliant, the sun squints involuntarily upon seeing her. At another time, when asked about her specific talents, she says “I’m good at pretty much everything.” Sure, she’s right. She is a prodigy who became a witch in record time. But man, that gets annoying pretty fast.

She was apprenticed to a witch named Fran, who tried to teach her the power of failure by overwhelming her. That was a lesson she wouldn’t really internalize and learn until later, however, when she failed in more significant ways than just being defeated in a duel by a powerful witch.

Her parents have her make three promises when she leaves them to travel the world.

First, to run away from danger. She doesn’t do that very well. Even though she is apathetic most of the time and tries not to get involved in the conflicts and problems of everyday people, she gets in danger plenty of times without running away.

The second promise is not to think of herself as anyone special. I laughed upon thinking back at that one. She failed that promise with style.

The third promise is that she will come back someday and tell her parents about her adventures. She doesn’t do that, either, at least in the first season. She writes and publishes a book about her adventures, if that counts for anything. Perhaps her parents will read it.

She basically fails at all three promises.

It takes a botched mission to make her realize that she is not perfect, and what she experienced during that mission traumatized her. In episode 9, A Deep Sorrow From the Past, Elaina is the Clock Village of Rostolf. She is low on money and must take on a job.

The Lavender Witch Estelle offers her a job. Estelle had a close childhood friend, Selena, whose parents were murdered by a burglar. After their murder, Selena is sent to live with her uncle, who was abusive. Eventually she turned on her uncle and killed him, afterwards becoming a serial killer. She kind of reminded me of Toga from My Hero Academia. Estelle was eventually order to kill Selena, and she did it by beheading her. This traumatic event left Estelle obsessed with finding a way to go back in time and change her friend’s terrible destiny.

When Estelle tells Elaina this story, Elaina appears to be completely apathetic. She is truly only in it for the money.

Estelle reveals that she has found a way to time travel. She has been sacrificing her own blood to get enough magic to prep the spell. She wants Elaina to come with her since she will be drained of magic after the spell. Estelle gives Elaina a ring that allows them to share magic power.

When they go back in time, Estelle convinces Selena’s parents to leave the house so they will not be murdered. Meanwhile, Elaina watches the house so she can catch the burglar. The burglar never shows. Eventually, Elaina notices from the ring that Estelle is using her magic power. She follows the source of magic to find that Estelle is bloodied and lying on the ground next to Selena’s murdered parents.

Selena is standing there with a knife. It turns out she was originally the one who killed her parents, not a burglar. Her father had been sexually abusive and her mother had gotten jealous and hit her repeatedly.

Estelle rises to her feet and starts to strangle Selena with magic. Elaina is horrified that a friend is killing a friend and tries to stop her by taking off the ring. Estelle sacrifices all her fond memories of Selena in order to get the remaining energy necessary to behead her.

Once they return to the present, Estelle has no memory of Selena. Elaina holds herself together until she gets outside, and then breaks down into tears. She recognizes her own failures and is devastated from having watched love turn to hate and from seeing a child brutally killed. She admits to herself that she is inexperienced and occasionally helpless to stop bad things from happening.

The extent to which this experience impacted her is revealed in a later episode, when she enters an enchanted place in which there are multiple versions of herself. One of these versions is violent and exhausted, deeply hurt by what happened with Estelle and Selena. The true Elaina must come to terms with all the versions and aspects of herself before she is able to escape that place. This offers her a sense of closure and helps her move on.

Those were my two favorite episodes, although there were many other good ones. Those were one of the few that seemed strongly connected as well. Most of the season felt somewhat plotless, with Elaina wandering aimlessly to various destinations. Each episode was like a vignette, a piece mostly independent of the others. The episodic feel was interesting, though not always satisfying.

In conclusion, I would recommend this anime to anyone who appreciates somewhat dark anime with an interesting lead character.

If you like my content, subscribe to my newsletter!