Having enjoyed the first three seasons of Sherlock, I expected the last season to impress, but I ended up being disappointed. It was actually still somewhat enjoyable, but nowhere as phenomenal as the earlier seasons.
Warning! Even though there are no spoilers for Season 4 in this article, there are minor spoilers from previous seasons.
Sherlock Season 4 aired in 2017 and was produced by BBC and Hartswood films. It is based off of Arthur Conan Doyle’s Sherlock Holmes books, but instead of being placed in Victorian England, the show is set in modern-day London.
The show stars Benedict Cumberbatch, Martin Freeman, Rupert Graves, Una Stubbs, Mark Gatiss, Louise Brealey, Andrew Scott, and Amanda Abbington.
In addition to being nominated for various awards, Sherlock won in three categories in the Primetime Emmy Awards.
Immersive setting highly relevant to a modern-day audience
Benefit of the familiar character of Sherlock with a new spin
Strong character development
A fascinating villain at the end of the season
Intelligent, occasionally comical, script
Catchy theme song and music
A lackluster first villain of the season
Sherlock’s ability to predict the future stretches believability
Unnecessarily confusing, especially in the last episode
Yet more predictable in the first episode
You could probably stop watching at Season 3 if you wanted a better ending for the series
The acting, especially by Benedict Cumberbatch, Martin Freeman, was incredible. They each played their parts well.
All of the fantastic and obnoxious qualities of Sherlock were brought out and emphasized. The way that the actors for Sherlock, Watson and Mary interact shows great chemistry and skill.
The setting in Season 4 is the same as Seasons 1-3, unsurprisingly: modern-day London. The presence of modern conveniences such as security cameras and phones remains a way for this new Sherlock to test his intellect. John Watson records their adventures through a blog, another modern touch. This transition from the Victorian London of the books to modern-day London is seamless.
Sherlock is a highly intelligent man who lacks empathy. He is nevertheless shown on several occasions to have at least some degree of care depending on who the person is. He is always blunt, but occasionally shows remorse for his words when they have caused damage.
Watson is of higher-than-average intelligence, but he cannot compete with Sherlock. Watson, however, has a deep sense of empathy and values human life while wanting to negate human suffering. He has a high tolerance for Sherlock, but even he loses his temper sometimes at Sherlock’s careless comments ill-timed deductions, and drug habit.
This season introduces more tension between Watson and Sherlock when Sherlock makes a critical error.
The first villain is creepy at least, but he lacks the style and creativeness of villains such as Moriarty. The second villain is fascinating and more intelligent than Sherlock and Mycroft. She once cut open her skin because she wanted to see how her muscles worked. Unfortunately, I cannot provide a picture of either of them without spoiling the series.
The script of Season 4 is actually pretty good. There are several quotable moments. For example, an unexpected reflection on suicide by Sherlock.
“Taking your own life. Interesting expression– taking it from who? Once it’s over, it’s not you who’ll miss it. Your own death is something that happens to everybody else. Your life is not your own. Keep your hands off it.”
There is also a decent amount of humor in the fourth season.
Watson: “I need a second opinion.”
Sherlock: “Oh, please, John. Since when have you ever managed TWO opinions. You’d fall over.”
There is even some genuine sincerity on the part of Sherlock:
Mycroft: “Dr. Watson? Could you please leave?”
Sherlock: “John stays.”
Mycroft: “This is about family.”
Sherlock: “THAT’S why he stays!”
The theme music is catchy as always, and the music throughout the episodes is fitting and develops the mood.
Sherlock’s skills were always unbelievably amazing, but now he adds telling the future to his repertoire of skills. He predicts the exact location and time of events without a strong explanation as to how he managed to do so. Making Sherlock near-omniscient was not a good choice.
The level of predictability for the first episode is higher than the rest of the episodes. Sherlock’s mistake is unsurprising, as well as the results.
All the confusion in the series stems from one villain. Somehow the creators made her whole storyline extremely convoluted. I found myself wondering, what the heck just happened? The villain was impressive, but the events surrounding her created too much confusion.
Even though I found this season somewhat enjoyable, I think that you may be better off stopping at Season 3. That’s what my siblings ended up doing and I don’t blame them.
I recommend this season for audiences ages 13+.
If you are interested in how I rate shows, check out my rating system.
I had high expectations for this movie. The trailer was intriguing and even looked spooky. Unfortunately, the movie did not satisfy. I haven’t read the book it is based on, so I cannot compare the two, but I have heard that the book is much better.
This version of Rebecca was released in 2020 and is based on a novel of the same name by Daphne du Maurier. It fits into the genre of romantic thriller. The movie stars Lily James, Armie Hammer, Kristen Scott Thomas, Ann Dowd, Keeley Hawes, and Sam Riley.
An unnamed newlywed woman is brought to Manderley, her husband Maxim de Winter’s English estate. There she desires to live happily, but cannot help contending with the memory of Rebecca, Maxim’s first wife. She feels threatened by Mrs. Danver’s, a servant in the house who was intensely loyal to Rebecca. As she spends more time at Manderley, the details of Rebecca’s life start to fall into place and mysteries begin to unravel.
Narrative voice at the beginning compelling
Acting by Kristen Scott Thomas was excellent
Several memorable quotes
Not very predictable
General setting attractive, especially Manderley
Most of the acting fell flat
Suspense was lacking
The protagonist was unnamed, which felt unnecessary
Maxim de Winter’s signature mustard yellow suit looks terrible
The trailer suggested undertones of horror that were never realized in the film
The movie dragged and then wound up too quickly
The story begins with narration by the unnamed protagonist:
Last night I dreamt I went to Manderley again. I dreamt that where our drive once lay, a dark and tortured jungle grew. Nature had come into her own and yet the house still stood. Manderley. Secretive and silent as it had always been. Risen from the dead. Like all dreamers, I was allowed to pass through my memory. Spanning the years like a bridge. Back to that summer in Monte Carlo when I knew nothing and had no prospects.”
This imaginative language drew me into the story. I only wish that the story had merited such a beginning.
The acting by Kristen Scott Thomas (Mrs. Danvers) was excellent. Watching her subtle expression when she welcomed the protagonist into the house gave an immediate indicator of how well her character was going to be portrayed. Her loyalty to Rebecca seemed intense and sincere, as did her hatred of the new Mrs. de Winters.
Armie Hammer (Maxim de Winter) came off differently. It was like he was trying to play the wrong role. His intimacy was too intimate, and his subsequent coldness was too cold. It was as if he were trying to act out two separate roles, and that made the romance hard to enjoy.
Lily James (Mrs. de Winter) made for a timid protagonist that it was easy to feel sorry for but hard to really root for.
There’s not much to say about suspense. There wasn’t any. For there to be suspense, you have to care what’s going to happen to the characters, and I really didn’t.
Sure, it wasn’t very predictable, but that cannot in itself create suspense. There has to be emotional investment in the movie for suspense to exist.
There were a couple good quotes from Maxim, and one notable one from Mrs. Danvers.
–I’m asking you to marry me, you little fool.”
Maxim de Winter
Not the most romantic line, but pretty unique. I doubt I would appreciate being called a little fool, but whatever. If that’s her thing.
–All marriages have their secrets.”
Maxim de Winter
Again, not the most romantic thing one could say. I mean, it’s probably true. Most married people likely keep secrets from each other, but most people are not blunt enough to come out and say it. Trust and communication are not Maxim’s strong points, even though that’s what relationships need to be stable and healthy.
–I wonder what’s she’s thinking about you.”
This line, delivered with finesse by Mrs. Danvers to the new Mrs. de Winter, is chilling. The “she” in the quote is the late Mrs. Rebecca de Winter. It’s one of those lines that make it seem like the movie is pretending to be a horror film. The trailer itself gives off horror vibes, and you get the feeling from the trailer that this is some ghost story, but it really is not. Nonetheless, this quote fits with the creepiness of Mrs. Danvers extremely well.
The setting is beautiful, whether it’s Manderley itself, the beach, the restaurants–all of it. The detail taken with the house made and the way the protagonist interacted with the things in the house made it all too clear how out of place the protagonist felt.
The fact that the protagonist was never named bothered me. I know the movie was keeping with the tradition in the novel and earlier adaptation of not naming her, but this doesn’t really constitute an excuse. Why was she never named in the movie? It’s frustrating trying to refer to her and having nothing to call her before she is married and nothing to call her afterwards other than Mrs. de Winters after she is married. Names are so strongly tied into who people are. They, in a sense, make their names mean something by their actions. The fact that she doesn’t have a name makes her seem like a non-person, a non-character or like an extra with too many lines.
There isn’t any reason given during the movie for her not having a name, and her husband never uses it, which is so weird. Even when I am talking to my friends, I address them by name. How much more would this be true if I were in an intimate romantic relationship with someone?
Screenrant has an interesting article about why she was not named and regards it as a creative choice, but I still think it was an unfortunate decision.
Maxim de Winter’s suit near the beginning couldn’t help but call to mind images of the Man in the Yellow Hat from Curious George. I don’t like the mustard color. He also wears this outfit repeatedly during their courtship period. He’s a rich dude, so he should be able afford some changes of clothes and at least something more aesthetically pleasing. I checked to see if I was the only one with this opinion, but looking at the reviews on IMDb, it seems I am not alone.
I wouldn’t recommend this movie for anyone, honestly. I would say it’s rating of PG-13 is reasonable due to sexual content, but there is nothing scary about Rebecca.
If you are interested in how I rate movies, check out my rating system.
TheLord of the Rings: The Fellowship of the Ring is an old favorite of mine. I had the privilege of watching it recently with one of my sisters who had never seen it before.
Getting to watch the movie was a bit of an adventure. My dad, who I sometimes call “Tech Support,” tried to get our Xbox One to play the DVD, but the Xbox gave up on life and showed the black screen of death instead. We then tried to find it on Netflix and to see if it was included for free on Amazon Prime, to no avail. Finally, we hooked up the PS3, which we never use, and used it to play the DVD.
The Lord of the Rings: The Fellowship of the Ring was released in 2001. It stars Elijah Wood (Frodo Baggins), Sean Astin (Samwise Gamgee), Ian McKellen (Gandalf), Viggo Mortensen (Aragorn), Orlando Bloom (Legolas), John Rhys-Davies (Gimli), Sean Bean (Boromir), Billy Boyd (Pippin Took) and Dominic Monaghen (Merry Brandybuck).
It was directed by Peter Jackson. The film falls into the genres of Fantasy and Adventure.
The entire plot of The Lord of the Rings: The Fellowship of the Ring is based around a ring. Nine rings were once forged and given to various rulers of the dominant kingdoms. Then an evil being named Sauron made a single ring that was more powerful than any of the others.
After a pivotal battle, the ring was lost and claimed by a human, and then was lost again. It was found by Gollum and then stolen by Bilbo, a hobbit, who would pass it on to Frodo.
The Lord of the Rings: The Fellowship of the Ring follows Frodo’s journey and that of others who seek to undermine Sauron’s power by destroying the ring.
Begins with low storytelling voice that encourages close listening
Ornate architecture fitting the culture of each town
Phenomenal musical scores
Strong message of hope, courage, and purpose
Attractive and fitting costume design
Fascinating, insightful dialogue
Realistic orcs with prosthetics and make-up
Tolkien’s spoken elfin language is convincingly like a natural language
The written language on the ring is foreign and unique
Does not veer much from the book
Frodo, Boromir, and Aragorn have strong character development
Camera angles and movement increases immersion into the story
One scene with Galadriel is over-dramatic and looks fake
A lot of characters, but not much character development for most of them
The beginning of the movie starts with a low female voice telling the story of how the rings were created and the one ring came into existence. The voice is soft enough that I was tempted to listen closely, on the edge of my seat. It was a storyteller’s voice–one that promised a powerful, gripping, simple yet complex tale.
The landscapes of New Zealand where the movie was filmed were beautiful. Every landscape they traversed was stunning, like something out of a travel brochure. All the scenes of travel that made the movie longer were worth it because of the charming, idyllic land.
The makers of the film paid great attention to detail, especially for architecture. This made settings like Rivendell not only attractive but also unique to the culture they represent.
The music was composed by Howard Shore. In my opinion, the best song out of the lot is “Concerning Hobbits.” The music of The Lord of theRings: The Fellowship of the Ring is both iconic and epic.
If you want to learn why the music of The Lord of theRings has the power to captivate listeners, listen for yourself.
The message is one of hope, courage, and purpose. This movie shows how there can be hope even in the darkest times and that courage can prevail against the powers of darkness. The story follows ordinary people who show tremendous bravery in the face of adversity.
Gandalf affirms that the ring that was found by Bilbo and passed on to Frodo did not fall into their hands by accident. All things happen for a reason, he insists. This gives the heroes a sense of purpose.
The costumes are well-made and fit the character. For the hobbits, capes and clothes perfect for work and relaxation–peasant clothes. For Gandalf, an old man who does not care much about appearance, a simple cloak and a hat that has much character. For others, clothes befitting their status and positions are used. The clothes do not look tacky.
The dialogue of the movie is rich and includes many quotable moments. For instance, when the value of a character’s life is questioned, Gandalf says:
–Many that live deserve death. And some that die deserve life. Can you give it to them?”
The CGI, especially for the Balrog and Gollum, was innovative for its time and has stood the test of time. True, it’s only 19 years old, but there are plenty of films from around that time that would look contrived and poorly done by today’s standards.
The elfin language used in the movie sounds natural and flowing. It is not like the made-up languages in many movies and books that are usually based on English or Latin. It is unique.
The written languages also appear to be authentic and realistic.
Likeness to the Book
Most changes from the book were made to save time, such as removing the whole Tom Bombadil scene that was in in the book. The movie was very faithful to the book.
Frodo is a character who seems nondescript but is capable of great bravery when the situation requires it. He feels a responsibility for what happens in the world, even though he wants nothing more than to go back to the Shire.
Boromir is a character who desires the power of the ring but nonetheless is an honorable character. Throughout the course of the story, he makes mistakes and changes as a result.
Aragorn’s initial reluctance to take his rightful place on Gondor’s throne affects who he is as a character. He is noble, and his actions show that he is worthy of being a king even when he doubts himself. His romance with Arwen is also a testament to his worth as a character–she is willing to give up immortality for him.
Most of the other characters are not well-developed, however. The movie suffers slightly from having too many characters.
The crew for this movie used various tricks with the camera. For instance, they used fast camera motions to make the battle scenes seem more frenzied. They also made horse riding scenes seem quick through other camera movements. The angle of the camera made it seem like sometimes we were seeing from the character’s point of view, and sometimes we were seeing the action from a perspective outside of any character.
This scene looked contrived and overly flashy, looking more like it belonged in a film depiction of a campfire horror story than a Lord of the Rings movie. A minor con, but worth noting.
I must say, the trouble it took to set up was well worth it. The movie is very nearly three hours, clocking in at 178 minutes, but it is a movie in which every second counts and adds to the whole. If you haven’t watched it, you’re missing out!
If you are interested in how I rate movies, check out my rating system.
This analysis contains spoilers for Elle: A Modern Cinderella Tale. Continue at your own risk!
So, why bother writing a spoiler-filled analysis of a movie?
There are two possible reasons:
One is that the movie is so good that it deserves analysis for the sake of learning from it. That is not what happened here.
The other possible reason is that there are times in life when one watches a movie so cringy and horrible that one makes fun of it merely to make the whole thing bearable.
This was that kind of movie. Kind of so bad it’s good…but not enough to justify seeing it.
Elle: A Modern Cinderella Tale was released in 2010. (Since it is not even that old a movie, it has no excuse for being so bad…)
It is a musical that rightfully is labeled with the genres of Comedy and Drama. However, it is comedic for all the wrong reasons and takes drama to a whole new level.
The movie starts with some music and outdated-looking animations. The music is not too bad, but the animations are kind of odd. For instance, cartoon main character is about to kiss a guy when poof! He turns into her arch nemesis Stephanie.
Imagine. You’re about to kiss your crush. You’re going in for the smooch, and then bam! You’re inches away from kissing the person you hate most in the world instead.
Then there is another time when a butterfly lands on her breast and turns into part of her clothes, which was a little uncomfortable. Then it ZOOMS in on the butterfly. I mean, even though this movie is aimed at a teen audience, this is supposed to be a movie kids can watch….it’s kind of weird for the camera to dive into her cartoon bosom, even if it is properly clothed.
Then the actual plot begins. Elle Daniels, a young singer/songwriter, flunks her audition for Berklee, an esteemed music college in Boston. Her uncle, who is technically not her uncle so much as her part-time caretaker for when her parents are travelling the country, tells her that her parent’s plane crashed, resulting in their untimely demise.
Not that one’s demise is ever timely…but this plot device–I mean disaster–was particularly ill-timed, being on the day of the big audition.
It’s the kids movie trope where the parents can barely be present during the movie, either because they are dead, busy, or oblivious (i.e. Frozen, Home Alone, Lilo & Stitch, etc…).
Elle’s uncle decides to tell her this in the middle of her audition, because why not destroy her chance to go to her top college? If he had waited, like, 3 minutes the audition would have been over, but no….it’s not only deaths that are ill-timed in this movie.
Elle blames herself. Now, she isn’t think clearly, but that is somewhat accurate because people often blame themselves for things outside their control. The problem here is not that she blames herself, but that she is inconsistent as a character. She wants to abandon her dream because it “killed” her parents, but then she ambitiously tries to get her songs on the radio, and then in almost the next scene she is back to adamantly saying she can’t be a singer. It comes off as unrealistic.
Now look at this picture really closely. This is live-action Elle. She looks high schooler age getting ready for college. That’s the magic of the glasses at work. Stay tuned to see her magically age.
Now, back to plot. After informing her of her parents’ deaths, her not-really uncle becomes her actual guardian and she begins to work as an intern for his recording company, Spunn Records. She acts as an assistant for the most obnoxious bubblegum pop trio in the world, Sensation.
We get to meet Sensation right away, because this Cinderella needs the equivalent of cruel stepsisters. They are laughable at best. Their makeup in the first scene is so poorly done that it looks like I could have done it better (even though I don’t wear makeup.)
They mess up Elle’s name by calling her every E-name that they can think of (Esther, Eleanor, Ellen, etc.). They say “Sensation” in a goofy, over-serious hushed voices. They walk while swinging their hips. I mean, look at the picture above. That is literally how they walk.
They made me wish they had been my childhood bullies because it would have been hilarious.
There are other times that they try to be funny, but it falls flat, such as when one of the girls says:
–Does this corset make me look fat? Really? Cuz I had like two M&M’s today.”
Now that was played for laughs, but if you actually think about it, it’s not a great joke. People with eating disorders probably wouldn’t appreciate that because it’s poking fun at people who are extremely weight-conscious. Of course, I don’t think this movie intended to poke fun at eating disorders, but the message a movie send its audience is important. The message it sends is that this behavior is funny, so you should laugh at it.
Anyway, Elle wants to sing, but her uncle thinks she isn’t ready. Apparently despite being her guardian and knowing her since she was little, he is not aware of the fact that she has talent. Either that, or he does not want her to move on after her parents’ deaths.
He has actual flashbacks to her childhood when he heard her sing, but no, she isn’t ready.
Next we meet Kit, Elle’s best friend, who encourages her to sing anyway.
Elle is not so sure. Because we need more exposition, apparently, Elle says of her relationship with her uncle:
–I’m the kid he didn’t ask for, and then has to send to college.”
Kit has some wild bobbing head movements throughout the movie.
Let’s try a experiment. Pick up your phone. Shake it slowly and repeatedly up and down, side to side. That’s basically the way her head moved the whole time.
She apparently cannot speak without her head moving like a bobblehead. I shall nickname her Miss Bobblehead for the rest of the analysis.
Miss Bobblehead gets such cringy lines as:
–It’s like, I get my east wisdom from the east.”
Not only does that sound super racist, it also is just really dumb. It ruins all the supposed wisdom of her previous comments.
When Elle goes to get the milky coffee, we meet Andy, a guy who takes an awkwardly long time making coffee and acts like Mr. Doodle from Sesame Street.
This is when Elle accidentally soaks Stephanie with it. Seriously, that’s the coffee up there. It is disgusting. That has to be like, 99% creamer.
It doesn’t look all that accidental even though it was obviously supposed to be. I mean, Elle certainly has the motive to launch a coffee-powered attack against her, and I wouldn’t have been convinced if Elle said it was an accident.
Anywho, Miss Bobblehead and Mr. Doodle like each other, but instead of saying so they use Elle as an intermediary. Elle is not a good intermediary, because she just lies to help Mr. Doodle out, saying,
–He said you should drink more coffee.”
Of course, since he works at the coffeeshop, that means she would see her more often, so it’s kind of just weak flirting made up by Elle to get the two of them together.
Ty Parker, who is played by Sterling Knight, comes in shortly afterwards for an interview.
At this point, my suitemate interjects with:
–He’s a precious being.”
Of course, that was a good enough comment to include here. She probably meant he is hot, but my brain doesn’t seem to register hotness. Because like, I don’t think of anyone as hot or attractive. But despite that, considering that characters half decent at acting were rare in this movie, I guess that does make him a precious being.
Anyway, Ty wants to try something new, and Elle’s uncle wants him to sing with Kandi Kane, a popular British singer. Ty is not so sure about this, and leaves without making a decision.
Meanwhile, the Sensation singers ask Elle to help them out with recording the next day, and she believes they want her to sing. Instead, they have her hold sweat towels and fetch water.
Afterwards, she tries on a bunch of clothes. She takes off her magic glasses, and voila! It’s like she ages at least ten years.
How old she looks is especially odd considering how she becomes the love interest for Ty Parker not long afterwards. (Like we didn’t see that coming.)
All dressed up now, Elle decides to perform in the studio. Little does she know, Ty Parker is spying on her like a creep…I mean just happens to be watching.
She plays a guitar with no hole in it, which looked odd to me for one that isn’t an electric or bass guitar, but apparently it is possible. The hole in the guitar is meant to help it project sound better, but it’s not technically necessary.
The song is actually not bad, and her voice is really good.
Ty Parker loves her voice and thinks she is Kandi Kane. I don’t know why. This is a movie with computers. If he was going to maybe be singing with Kandi Kane but wasn’t sure, why didn’t he look her up to find out more about her? Or even listened to one of her songs? Then he would no Elle’s voice was not Kandi Kane’s.
Elle does nothing to correct him, instead putting on a British accent and following him around on what’s pretty much a date. This is her dream come true. Ty Parker is her childhood celebrity crush. Ty is rich, so he could take her anywhere, but you know how paparazzi are, so he treats her to street food instead.
If you’ve watched Starstruck, Sterling Knight is basically the same character here but with a different name.
Because we need a reminder that this is a Cinderella story, Elle gets a text from her uncle.
–Elle it’s midnight. Where are you?”
She kisses Ty Parker and ditches him. The next day, the studio is in an uproar because Elle unknowingly recorded her own song over Sensation’s when she was practicing. Ty doesn’t notice the problem, and instead says that he will definitely sing with Kandi Kane.
His actual first meeting with Kandi Kane goes off very poorly. She’s snarky and has a real attitude. It’s clear that their personalities are not compatible from the beginning. This quote is evidence enough:
–Kandi Kane is a force of nature. RrrAW!”
I want to start using that. “P. A. Wilson is a force of nature. RrrAW!” It’s perfect for the first time I ever meet someone. “RrrAW!!”
Back at the studio, Stephanie breaks into Elle’s laptop. Any time someone comes by, Stephanie uses pathetic hiding skills to disguise herself. She finds out Elle was the one who recorded over Sensation’s song.
But why would that happen? I thought Elle was an intern there for six months? Does she really have no idea how recording equipment works? Wouldn’t she have to know how it works to record her song.
This is Stephanie’s “I’m being sneaky” face.
See Stephanie in that picture above? No, you don’t. She’s hiding. Shh….
Sensation then joins forces with Kandi Kane (the force of nature) to make plans to humiliate Elle.
Ty Parker insists on getting to sing with the first “Kandi Kane” he met, who he doesn’t realize is Elle because she hides behind a big hat when he walks by. I feel like it would be less suspicious if she just wore glasses without the hat, because reverse-aging 10 years makes you less recognizable anyway.
Ty puts on a radio program with a friend, trying to get Elle to call in.
Then Miss Bobblehead and Mr. Doodle bond over Elle’s conundrum, and end up a couple immediately.
The couple then convince Elle to show up at a party where Ty Parker will be. At the party, she plays her song and Ty Parker recognize it.
Cue Kandi Kane and Sensation. They break into Elle’s room and find all her Ty Parker fan girl junk and set it up like a little shrine. It’s meant to horrify Ty, but he is the Prince so instead he is angry at them and goes after Elle.
So they also end up a couple after a little heart-to-heart chat. Ty also convinces Elle to drop the ridiculous idea that she is to blame for her parents’ deaths.
Unfortunately, Kandi Kane threatens to sue Spunn Records and Ty Parker into oblivion if Ty doesn’t go through with his initial plan to record with Kandi Kane.
She also makes him break up with Elle from one of the shortest relationships ever filmed. Elle is so distressed she attacks her hair with her hand. No, not really, but the acting is so overdone that running her hands through her hair looked a tad overzealous.
Elle at this point has given up on glasses all together. I guess she became resigned to the fact she couldn’t use glasses to make herself look younger forever. Or she just didn’t need glasses. Or she did some off-screen shopping for contacts. Overall message–you’re prettier without glasses.
(As someone who wears glasses, I disapprove.)
Then Miss Bobblehead and Mr. Doodle assume that Kandi Kane is involved, with no evidence whatsoever. After sneaking around in the worst acting of the entire show–think preschoolers playing ninja–they frantically whisper and then kiss for no apparent reason.
Soon after, they break into Kandi Kane’s room and find out she’s really from the Southern United States and her name is actually Brenda Smirkle. Not only does she drop the accent and explain the whole thing to her mother, she also has a laptop with her actual name on it.
Miss Bobblehead records the entire phone conversation and tells Elle’s uncle that Brenda Smirkle is not actually Kandi Kane, which makes the contract between the supposed Kandi Kane and Ty Parker is void.
Elle’s uncle also dismisses Sensation on the spot, probably assuming they are involved, again without evidence. Miss Bobblehead then humiliates Stephanie by pulling her hair off–apparently it was a wig.
That seems unnecessarily cruel, especially since Stephanie is so self-conscious about her wig. I mean, what if she lost her hair due to cancer or something? Kit didn’t even have any evidence that Stephanie was involved in the plot. And even if she did, Kit being one of the “good guys” does not justify her doing horrible things.
Elle doesn’t know all of this because she was on her way to Berklee at the time. Miss Bobblehead, Mr. Doodle, and Elle’s uncle show up to see her audition.
Then–gasp–what a shock! Ty Parker shows up for her audition, she wins the approval of admissions, and they are a couple again.
Again, the music is actually not bad. It is the only thing this movie did right.
If I had to pin down a moral for this story, it would be that glasses make one unappealing (ouch), and that it’s okay to humiliate people, lie, and break into other people’s rooms if you do it for the right reasons.
But wait! It’s not over!
There are still the characters’ post-movie futures to think about. That’s what credits are for, right? I’ve only included the weirdest ones.
For Miss Bobblehead and Mr. Doodle, there was this little nugget of information:
What the heck is undercover dating? Like a blind date where both involved are secret agents or wanted criminals? And how could they be the most successful private investigator service? Is anyone supposed to buy this?
Elle’s uncle apparently still doesn’t have time for a girlfriend. It was never established that he didn’t have time for a girlfriend before, but they found the need to point this out as the final word they give about his character.
It seems like something must have been edited out earlier on that would have made this make sense.
Or he was such a flat character they saved all his development for the end.
Then finally, the movie reaches its much-awaited end.
So…that was a bad movie. Thanks to my roommate for making me watch it. I forgive her, because at least it was enjoyable to make fun of the movie afterward.
Don’t watch it. It’s not worth your time. For actually good movies, check out my movie reviews.